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It’s Official, Fauzi Postponed, Producer Ravi Confirms What The Trade Already Knew

Aditya
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It’s Official, Fauzi Postponed, Producer Ravi Confirms What The Trade Already Knew

Fauzi’s postponement is now officially confirmed. Producer Ravi made the announcement on stage at The Paradise’s pre-release event, putting an official seal on something distributors and industry insiders had already been informed about days earlier.

By the time this stage announcement happened, it was already old news within the industry. Distributors and trade circles had been quietly informed well in advance, and that early heads-up had already set off a chain reaction, with several other films moving quickly to lock in the date Fauzi was vacating.

With Fauzi stepping away from its earlier December window, Naga Chaitanya’s Vrushakarma, Vishwak Sen’s LEGACY, and Dulquer Salmaan and Pooja Hegde’s Sri Sri all moved to claim December 4 for themselves, turning what was once a Fauzi solo date into a genuinely crowded one.

Fauzi is now expected to align its release closer to Spirit’s timeline instead, with the team eyeing the back half of 2027 as its new target window rather than competing in the current festive calendar.

With the postponement now made official rather than just industry chatter, the ripple effects on the release calendar are locked in. December 4 stays a stacked date with three big films, and Fauzi resets its own timeline entirely around a completely different part of next year.

The Paradise Ticket Prices, Here’s What You’ll Pay In Andhra Pradesh And Telangana

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The Paradise Ticket Prices, Here’s What You’ll Pay In Andhra Pradesh And Telangana

The Paradise has officially received government permissions for ticket price hikes and special shows in both Andhra Pradesh and Telangana. With approvals now in place across the Telugu states, the full pricing structure for the film’s release is locked in.

For the September 23 premieres, single screens are priced at ₹300, while multiplexes go up to ₹400. From Day 1 to Day 10, single screens will charge ₹197.50 and multiplexes ₹252. From Day 11 onward, prices return to regular rates, ₹147.5 for single screens and ₹177 for multiplexes.

The Paradise – Andhra Pradesh Ticket Rates

Period Single Screens Multiplexes
Sept 23 – Premieres₹300₹400
Day 1–Day 10₹197.50₹252
Day 11 Onwards₹147.50₹177

The Paradise – Telangana Ticket Rates

Period Single Screens Multiplexes
Premiere₹500₹500
Day 1–Day 4₹225₹390
Day 5–Day 10₹200₹340
Day 11 Onwards₹177₹295

With both states officially approving hikes and special shows, bookings can now move ahead at full pace across every territory in the Telugu states. This clears the last major administrative hurdle before the film’s release, with premieres set for September 23 and the film opening wide on September 24.

Shiva Nirvana Explains Why There Are No Police In Irumudi

Surya Sankella
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Shiva Nirvana Explains Why There Are No Police In Irumudi

Irumudi, starring Ravi Teja, has emerged as one of the biggest hits of the year, enjoying a strong theatrical run before making its multi-language streaming premiere on Netflix. The film has reportedly crossed the ₹100-crore mark in theatres and continued to attract attention after its digital release. Banking on the film’s success, writer-director Shiva Nirvana has been interacting with the media, discussing the making of the film and the choices behind its emotional family drama and crime elements. One question that has particularly followed Irumudi after its Netflix arrival is: why are there no police or investigation scenes despite the serious crimes depicted in the story?

Shiva Nirvana On The Missing Police Track

Shiva Nirvana explained that leaving out the police was a deliberate storytelling decision. He said the film already establishes that the characters are aware of the police, pointing to the sequence where Sai Kumar’s character refuses to file a complaint over eve-teasing because he fears the matter becoming public. According to the director, introducing police characters and an investigation would have shifted the audience’s attention away from the central characters and toward a police-procedural track. He also revealed that the MLA is behind the deaths, while deliberately leaving open whether the police were compromised or whether the killings were passed off as suicides.

What’s Next For Shiva Nirvana?

Shiva Nirvana made a promising directorial debut with Ninnu Kori and followed it with the successful Majili. He subsequently faced a rougher phase with Tuck Jagadish and Kushi, before making a strong comeback with Irumudi. Following the film’s success, Nirvana has said it has given him greater freedom to experiment and surprise audiences with his future films. He has also clarified that there are currently no plans for Irumudi 2, while reports have emerged about discussions with major stars, including Dhanush, though that project has not been officially announced.

After Ram Pothineni, Kartikeya Gummakonda Debuts As Director

Surya Sankella
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After Ram Pothineni, Kartikeya Gummakonda Debuts As Director

Kartikeya Gummakonda made a sensational breakthrough with Ajay Bhupathi’s RX 100 in 2018. The film became a major commercial success and turned him into one of Tollywood’s promising young leads almost overnight. However, the momentum soon faded, with Hippi, Guna 369 and 90ML failing to deliver the expected box-office impact in 2019. Gang Leader, where he played the antagonist opposite Nani, gave him a successful outing and showed his versatility, but it did not establish him as a consistent lead star.

A Career of Mixed Fortunes

Kartikeya subsequently delivered a string of films with mixed commercial results. Chaavu Kaburu Challaga and Raja Vikramarka failed to make a significant impact, while Bedurulanka 2012 emerged as a commercially successful outing. His appearance as the antagonist in Ajith’s Valimai also brought him visibility beyond Telugu cinema. His last release, Bhaje Vaayu Vegam (2024), featured him in the lead but did not revive his box-office fortunes.

Kartikeya Turns Director With COMEBACK

Now, Kartikeya Gummakonda is attempting a fresh start with COMEBACK, which marks his return as a lead actor after a two-year gap and his directorial debut. Produced by his wife Lohitha Reddy under Kartikeya Creative Works, the film also has Kartikeya handling the story and direction. The glimpse introduces him as a boxer who has been away from the sport for three years before attempting to return to the ring. Vijay Bulganin provides the music, Jagadeesh Cheekati handles cinematography and Kalyan Suryaprakash is the editor. With a boxing-based premise and Kartikeya taking charge both in front of and behind the camera, he now eyes a comeback with COMEBACK.

Toxic Arrives On OTT This Week, Can It Redeem Itself After A Disastrous Theatrical Run

Aditya
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Toxic Arrives On OTT This Week, Can It Redeem Itself After A Disastrous Theatrical Run

Toxic, the biggest budget film to come out of Sandalwood, released with massive expectations but ran into complete disaster from the very first shows, with word of mouth turning against it almost immediately.

The film ended its theatrical run with around ₹320 Cr gross, a steep shortfall against its reported ₹800 Cr breakeven target. Even reaching this number relied heavily on the Hindi version’s contribution, without which the final tally would have looked considerably weaker.

With the theatrical chapter closed, audiences who skipped the film in cinemas now get their chance to judge it for themselves, with Toxic set to premiere on Zee5 this Thursday, September 25.

The big question now is which way the response swings. The film could either find a better reception on OTT, where lowered expectations and the comfort of watching at home sometimes work in a film’s favour, or it could see criticism intensify further, especially given how vocal the backlash already was during its theatrical run. Either way, this OTT premiere will be closely watched as the final word on how Toxic is ultimately remembered.

Anupama Parameswaran’s Red-Hot Glam

Surya Sankella
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Anupama Parameswaran’s Red-Hot Glam

Anupama Parameswaran embraces a dazzling glamour in these striking portraits, dressed in a heavily embellished ensemble that shimmers against the rich red backdrop. The intricate outfit is covered in multicoloured stones, sequins and floral detailing, creating a luxurious, statement-making look that immediately commands attention.

Her curly, voluminous hair adds a playful and youthful edge to the glamorous styling, while the radiant makeup beautifully complements her features. A statement necklace featuring vibrant pink stones, matching earrings and a sparkling bracelet elevate the ensemble further. The jewellery adds an elegant touch without taking away from the ornate outfit.

What truly makes the pictures stand out is Anupama Parameswaran‘s infectious energy. In one frame, she poses with a soft, joyful smile, while the second captures her laughing freely with her face lit up by the moment. The dramatic red backdrop, warm lighting and expressive poses give the entire shoot a vibrant, celebratory and effortlessly glamorous feel.

Raaka’s Motion Capture Video Proves This Is Truly Worth The Hype

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Raaka’s Motion Capture Video Proves This Is Truly Worth The Hype

Sun Pictures has followed up its Guinness World Record announcement for Raaka with a stunning behind the scenes video, and it’s turning out to be even bigger than anyone imagined.

The video takes viewers inside the motion capture stage itself, performers in full mocap suits moving in perfect coordination on a state of the art performance floor, an elaborate rig of tracking cameras and lighting, and Atlee directing the sequence in real time with total command over the process. International VFX and motion capture specialists feature throughout, speaking with genuine admiration about the scale of what’s being attempted, right down to the actual clapperboard moment that sealed the record, 37 performers captured in real time. The text cards say it best, “It began with a vision and became a moment in history.”

This is exactly the kind of technical ambition that separates a true global scale production from the rest. Bringing in international specialists, building a full scale motion capture stage, and pulling off a genuine world record in the process shows just how seriously this team is approaching Raaka. The “Global Triumph” tag being used for this film is looking more and more justified with every update.

Between the record itself, the calibre of talent involved, and the sheer technical infrastructure on display, Raaka is shaping up to be one of the biggest, and quite possibly the biggest, theatrical experiences Indian audiences have ever witnessed. With Allu Arjun and Atlee behind a project of this scale, and now genuine proof of the technical firepower backing it, the anticipation building around this film feels more earned with each passing update.

https://twitter.com/sunpictures/status/2102020024420417571

Raashii Khanna Is Too Hot To Handle [HD Pics]

Surya Sankella
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Raashii Khanna Is Too Hot To Handle [HD Pics]

Raashii Khanna turns heads in a stunning white blazer dress that perfectly balances sophistication and bold glamour. The sharply tailored silhouette, plunging neckline and structured design give the outfit a powerful, contemporary edge. The pristine white ensemble also creates a striking contrast against her warm complexion, making the overall look effortlessly eye-catching.

Her voluminous brunette hair, styled in soft cascading waves, adds a touch of classic glamour to the otherwise modern outfit. Subtle yet defined makeup, accentuated eyes and neutral-toned lips complement her features without taking attention away from the ensemble. Delicate earrings and statement rings add just the right amount of sparkle, keeping the styling elegant and refined while allowing the outfit to remain the centre of attention.

Across portraits, Raashii Khanna carries the look with confidence and poise. The warm lighting and minimal setting create an intimate editorial aesthetic, while her composed expressions bring an effortless allure to the frames. From the full-length pose to the captivating close-up, the actress proves that understated styling can still make a seriously striking statement.

Raaka’s 37 Mystery Solved, But Was It Worth The Buildup

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Raaka’s 37 Mystery Solved, But Was It Worth The Buildup

The mystery behind Raaka’s cryptic “37” poster is finally solved, and it turns out to be a genuine Guinness World Record. allu Arjun, Sun Pictures and director Atlee were officially awarded the record for the most people motion captured in real time, with 37 people captured simultaneously for the film, achieved in Mumbai on September 15, 2026.

A Record That Actually Means Something

This isn’t a manufactured or trivial record. Real time motion capture at this scale is a genuine technical feat, and having 37 people captured simultaneously speaks to the sheer scale of performance capture technology being used for Raaka, reinforcing just how ambitious this project’s visual approach really is.

The issue isn’t the record itself, it’s everything that was built up around it. Fans were told visuals bigger than Avatar were coming. There was a mysterious “37” poster with no explanation. Then a director publicly hyped the footage as extraordinary. Each of these felt like it was building toward an actual visual reveal, a teaser, a glimpse, something audiences could watch. Instead, what arrived was a certificate ceremony.

For a fanbase primed across multiple posts and comments to expect actual footage from the film, landing on a records announcement instead is a letdown, regardless of how genuinely impressive the achievement is. A Guinness World Record is a great PR moment and a legitimate technical milestone, but it is not the same as delivering on the specific expectation that was set. Repeated pre-announcements without the payoff they implied risk training fans to discount the next big buildup, which is not a position any studio wants to be in ahead of a film this scale.

Raaka’s scale and ambition are not in question here, the record proves that much. What’s worth a closer look is the promotional strategy itself, hyping a reveal in a way that quietly shifts the definition of what’s being revealed can win a news cycle, but it spends down audience trust that a project this size will need intact for its actual first-look moments still to come.

The Paradise Nizam Advances Cross 5 Cr In Under 24 Hours, A Historic Opening On Cards

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The Paradise Nizam Advances Cross 5 Cr In Under 24 Hours, A Historic Opening On Cards

The Paradise Nizam advance bookings opened yesterday at 7 PM, and within less than 24 hours, the film has crossed 5 Cr in advances for its opening day alone, a sensational number considering premiere bookings for the region haven’t even opened yet.

If the initial word of mouth turns out positive, there’s a real chance The Paradise could open in the range of 20 Cr, effectively double what Dasara managed. That would mark a massive leap even by Nani’s own career standards.

This Nizam surge comes right after overseas advances for the film crossed $800K for the opening day, a record in itself. With Nizam now trending even bigger than that pace, the momentum across territories is building simultaneously rather than in isolation.

Bookings for Andhra Pradesh haven’t opened yet, with the team still waiting on the government order for ticket price hikes. Once that clears and AP bookings join the numbers already pouring in from Nizam and overseas, the full scale of this opening will become even clearer.

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