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Prabhas’s ‘The Raja Saab’ Single Faces Heat from Chiranjeevi’s ‘Meesaala Pilla’ in Sankranthi Music Battle

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Sankranthi box office race is shaping up to be the most interesting battle for both audiences and the industry. With multiple films lined up for Sankranthi, there is always a lot of comparison regarding the films’ business and promotional content before release. These comparisons also help all films, as audiences show great interest in them. This is the reason why, during festivals, not just one film but multiple films score huge revenues.

For this Sankranthi, the two main biggies releasing are Chiranjeevi’s Mana Shankara Vara Prasad Gaaru and Prabhas’s The Raja Saab. From The Raja Saab, the teaser and trailer are already out. The team released visual content before the audio to showcase the scale of the film, where Maruthi succeeded.

Now it’s Thaman’s turn to deliver a big chartbuster album. The team is currently shooting songs in foreign locations. The first single is set to release on Prabhas’s birthday, 23rd October. Normally, releasing a single from a big film comes with a lot of pressure because expectations are high. Due to Prabhas’s previous films not having much scope for commercial songs, audiences are expecting The Raja Saab to bring the mass Prabhas factor, which the team is promising consistently.Adding to this pressure, Bheems has created another challenge for Thaman by delivering the chartbuster Meesaala Pilla song in Chiranjeevi’s film. Since both films are releasing for Sankranthi, there will definitely be comparisons between the two songs. It will be interesting to see where Thaman’s first single for The Raja Saab stands in the comparisons.

Dil Raju Not Stepping Back from Big Projects – Ready to Take Risks

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Dil Raju, who is known for delivering blockbusters with perfect planning and controlled budgets since his early days, seems to have lost that balance in recent years. His film budgets have been increasing, while the content quality has been decreasing. As a result, Dil Raju’s success ratio has taken a hit. This year, he faced a major setback with Game Changer, which went over budget and reportedly caused heavy losses.

Many in the industry and audience believed that Dil Raju would stay away from big-budget films for a while. However, he seems more determined than ever to take bold risks. He is currently producing a big-budget film with Vijay Deverakonda, is in talks with Ajith for a project directed by Marco fame Haneef, and is also discussing a film with Salman Khan under Vamshi Paidipally’s direction. In addition, he’s planning a Pawan Kalyan–Anil Ravipudi collaboration, a high-budget project with Sukumar, and there’s even buzz about a Sankranthiki Vasthunam remake with Akshay Kumar. Apart from these, several more projects are said to be in Dil Raju’s pipeline.

So, Dil Raju is far from being down after Game Changer. Yes, he has learned valuable lessons from that film and other recent setbacks, but he is not stepping back from big ventures—instead, he’s moving ahead with calculated decisions and renewed confidence.

Telusu Kada – Big Business, Low Buzz

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Four films are releasing this Diwali — Telusu Kada, Mithra Mandali, Dude, and K Ramp. If we look at the budget or casting, Telusu Kada could have easily been the No.1 film this Diwali, as Siddhu is a much bigger star than the others. However, the promotional content hasn’t worked in favor of Telusu Kada, which has affected its buzz.

Even though with low buzz the film carries the highest business value among the Diwali releases, its Telugu states’ business has been done on an advance recovery basis at a ratio of ₹16 Cr. For K Ramp, the breakeven value is around ₹6.5 Cr, Dude is valued at around ₹10 Cr, and Mithra Mandali at around ₹4 Cr. Among all these, Telusu Kada has the biggest business and needs to attract a larger audience to achieve breakeven.

The team is hiding the main hook point of the film, which they want to reveal only in theatres. This has created some confusion about the film’s genre. However, the team is confident that audiences will connect to the point once they watch it. If that happens, breakeven is definitely achievable.

Meesaala Pilla is a chartbuster

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The lyrical video of the most anticipated Meesaala Pilla is finally out. Composed by Bheems Ceciroleo with lyrics by Bhaskarabhatla, the music is instantly catchy and allows for a clear understanding of the lyrics—something we rarely see nowadays. Recently, in most Telugu songs, music is completely dominated by beats, and people often cannot even understand the lyrics

The lyrics are so good that they even reveal an exciting plot twist: Chiranjeevi and Nayanthara play a divorced couple, where Chiranjeevi wants to reunite, but Nayanthara refuses. The song is presented in a very entertaining way and is definitely set to rule the internet. Bheems delivers again for Anil Ravipudi, following Sankranthiki Vastunnam.

One of the biggest highlights of the song is the return of Udit Narayan, singing for Megastar Chiranjeevi’s film after a long hiatus. Shweta Mohan compliments him beautifully.

Chiranjeevi and Nayanthara beautifully embrace their characters. Chiranjeevi brings back his vintage entertainment and attitude to the song, which works so well. The only minor complaint is about the VFX, which could have been better—but it might be corrected in the film version. Other than that, everything about the song is fantastic.

Anil Ravipudi scores a sixer with this promotional content.

Theatre Owners Refuse to Replace OG and Kantara Chapter 1

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In the Telugu states, both OG and Kantara Chapter 1 are the recent big releases that are still performing decently at the box office. However, many theatre owners are yet to recover their investments, as both films are still below the breakeven point. Since they invested heavily, theatre owners are not showing much interest in replacing these films with the upcoming Diwali releases or removing OG and Kantara Chapter 1 from screens.

They believe this Diwali will bring a long weekend, which could help OG and Kantara Chapter 1 improve their collections compared to the previous weekends. Moreover, since most of the Diwali releases are small to medium-budget films, theatre owners expect these two films to continue getting better occupancies during the festival.

Due to these calculations, producers and distributors are now facing tough challenges in securing a large number of screens. With four new films arriving this Diwali, all backed by top production houses, getting a good screen count has become a difficult task. A film with strong content will definitely perform well, but every team is aiming for a wide release during the festive season to ensure big collections, irrespective of the talk.

Kantara Chapter 1 Joins 100 Cr Overseas Club

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Kantara Chapter 1 is holding strong at the box office across all languages. On its 13th day, the film has joined the 100 Cr club in overseas markets. North America and Gulf regions have been the major contributors to this success. All language versions overseas have performed well, with the Kannada version even surpassing KGF 2’s performance. However, the Hindi version’s numbers are highly disappointing. If the Hindi version had performed well, the film could have easily reached around ₹130 Cr in overseas collections by now.

In terms of business valuation, the film needs to collect close to ₹140 Cr gross to cover all expenses, but breakeven has not yet been achieved, as the movie currently stands at ₹100 Cr.

Overall, by today, the film’s worldwide gross is nearing ₹650 Cr, and it is on track to aim for the ₹800 Cr milestone in its full run.

Pawan Kalyan Fans Angry at the OG US Distributor

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Pawan Kalyan’s OG almost ended its run at the US box office. The film has collected more than 5.5 million in North America. The film’s revenue in Canada could have been much higher, but due to issues between the distributor and Canada’s main theatre chain, York Cinemas, the film was not released there, which impacted the numbers

York Cinemas claimed that box office manipulation was happening continuously, so they refused to screen the film. Meanwhile, the distributor countered, saying that York Cinemas is a mafia-like entity that always blackmails, so they won’t release any films there.

Immediately after the completion of OG’s run, the distributor announced that all issues have been sorted out and that the film will release in York Cinemas.

This upset fans, as OG’s numbers could have been much higher if it had a release in York Cinemas. Fans expressed their frustration, saying that these distributors twist their words at any time for business.

Tamil Fans Overaction! Blind Support for Murugadoss Against Salman Khan

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AR Murugadoss is the one who started an unnecessary battle against Salman Khan with his degrading comments.During the Madharaasi promotions, while talking about Sikindar’s failure, Murugadoss completely blamed Salman Khan but didn’t admit his own weaknesses in screenplay and execution.

He said, “It’s not easy to shoot with Salman Khan. Even for day scenes, we had to shoot at night because he would arrive on set only after 8 PM. We are used to starting early in the mornings, but that’s not how things worked there. If a scene involved four kids, we had to shoot with them at 2 AM, even if it was supposed to be a shot of them returning from school. By then, they were already tired and often dozed off.”

But clearly, such terms could have been discussed before going on set for any film. If that terms didn’t work for him, Murugadoss could have simply said it wouldn’t suit them. Why did he proceed with the film while even putting Madharaasi on hold? Sikindar failed mainly due to poor screenplay and writing. He could have spoken about issues like story changes or creative freedom, but instead, he passed comments that directly degraded the hero

Naturally, anyone would be hurt in such a situation, and Salman Khan hit back. He countered, “Yes, I used to arrive on set around 9 PM, which caused some issues, but my rib was broken at that time. Initially, the film belonged to AR Murugadoss and Sajid Nadiadwala, but later Sajid left, and Murugadoss also stepped away to work on a South film.”

Recently, Murugadoss’s other film Madharaasi released, where the actor used to arrive on sets by 6 AM. It’s a much bigger film — and an even bigger blockbuster — than Sikindar.

After all this, many Tamil fans are endorsing Murugadoss and blindly targeting Salman Khan, completely missing the logic of who actually started this battle — and who made the first degrading comments.

Vikram–Anirudh Collaboration Finally Happens

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Chiyaan Vikram was last seen in Arun Kumar’s “Veera Dheera Sooran Part-2,” which received decent reviews but ended up as a failure at the box office. For his next movie, Vikram collaborates with the sensational music director Anirudh. 

The fans, who were waiting for the collaboration of Anirudh and Vikram, are delighted as the music director joins their favorite actor for the first time with Chiyaan 64.

The film, produced by Vels Film International, also brings together Chiyaan Vikram and lyricist-turned-director Vishnu Edavan for the very first time. Reportedly, it is a big-budget film, and the other cast details are expected to be revealed soon.

Anirudh Ravichander is known for elevating the heroes and movies with his electrifying music, and the fans expect the same for Chiyaan 64.

Sankranthiki Vasthunmam to Get a Bollywood Makeover

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Sankranthiki Vasthunam, starring Venkatesh and directed by Anil Ravipudi, was released this year in January, and the massive blockbuster is all set to go to Bollywood, as Akshay Kumar is set to remake it.

There has been a big buzz for a few days that the Bollywood star Akshay Kumar will play the role of Venkatesh in Sankranthiki Vasthunam’s Bollywood remake, and it will be directed by Anees Bazmee.

Reportedly, the discussions are ongoing to finalize the two female leads, along with other cast and crew members, and the details are expected to be revealed soon.

Anil Ravipudi packs the film with elements that suit and will be liked by Telugu audiences, and the Hindi remake will have to make sure to adjust to the taste of North Indian audiences.