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Mahavatar Narsimha Screened in Pakistan

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The animated devotional movie, Mahavatar Narsimha, was released in theaters this year, and undoubtedly, it is the biggest shocking blockbuster of Indian cinema this year. After getting a huge round of applause from Indian audiences, Mahavatar Narsimha gets screened in Pakistan.

No one expected that an animation film could do 300 Cr in gross box office collections, but the film did the unthinkable, and it also did huge numbers in Hindi and Telugu states.

After the OTT release, the film’s reach increased more and more. Recently, it was nominated for Oscar nominations as well Now, the latest and exciting news is that the animated movie, Mahavatar Narasimha, has been screened for the first time at Swaminarayan Mandir Karachi in Pakistan.

Ashwin Kumar directed the film, and Kleem Productions produced it. Presented and distributed by the mighty Hombale Films, the banner behind KGF and Kantara, the film is the first installment of a seven-part animated series called Mahavatar Cinematic Universe.

Jana Nayagan Faces 500 Cr Break-Even Challenge

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Tamil star hero Vijay, who has recently entered politics, is all set to enthrall his fans with his last film, Jana Nayagan, set to be released on Pongal 2026 with a break-even target of 500 Cr gross worldwide.

Despite the film being a non-massive combination or a big-scale grandeur film, it did very huge and record business because it is considered the last movie of the actor.

Jana Nayagan Breakeven Gross (Approx.)

Tamil Nadu: 220 Cr
Telugu States: 20 Cr
Karnataka: 30 Cr
Kerala: 35 Cr
Overseas: 210 Cr

Excluding North Belts itself, the movie, Jana Nayagan, needs to collect more than 500 Cr gross to achieve breakeven.

To be profitable, the film has to go beyond 550 Cr gross worldwide. Until now, only three films from Kollywood, such as 2 Point O, Jailer, and Leo, have collected more than 550 Cr gross worldwide in Kollywood. Vijay’s Jana Nayagan needs to join this club to achieve success.

Indian 3: What About the Footage?

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Kamal Haasan and director Shankar originally planned Indian 2 as a single film. However, due to budget issues, the shoot was halted midway. When production resumed, the team decided to split the story into two parts. Indian 2’s failure at the box office affected the plans: now reports suggest that Indian 3 has been shelved.

During the break in Indian 2’s shoot, Shankar began working on Game Changer with Ram Charan, while Kamal Haasan delivered a blockbuster with Vikram. The success of Vikram and support from Red Giant Movies helped revive Indian 2. Since a large budget had already been spent, the makers planned to release Indian 2 and Indian 3 within a few months of each other. In fact, 80% of Indian 3 was shot before Indian 2 hit theatres.

Indian 2 and Game Changer’s Results Affected Indian 3

But Indian 2 turned out to be a big disaster. As a result, Indian 3 was put on hold, and Shankar shifted focus to Game Changer, which was released during Sankranthi but also failed. This added more trouble to the plans. Despite several attempts to resume shooting, financial negotiations didn’t work out, and Indian 3 has reportedly been shelved.

Shankar moved to Velpari – Can Indian 3 Makers make some profit by releasing it on OTT?

Shankar is now preparing for his next project, Velpari, which is expected to begin shooting in June 2026. Kamal Haasan has also moved on to pre-production for his upcoming films. The producer is unwilling to invest more money in Indian 3, making its revival nearly impossible. However, since most of the footage is already shot and crores have been spent, the team is unsure what to do with it.

Kamal Haasan had mentioned during Indian 2 promotions that the core story lies in Indian 3. A possible solution could be releasing it on OTT platforms: first on a rental basis, then based on views. But since OTT platforms may not offer a high price, the makers might have to release it independently and earn through revenue sharing.

Is Season an Excuse, Ram?

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Andhra King Taluka, starring Ram Pothineni, was released in theaters last weekend. The film opened with unanimous positive reviews, but the collections did not match the talk. In the recent promotional event of the film, Ram said that the November release date was a reason for such a low box office performance of the film. 

For a few days, Ram and Bhagyasri were in the USA as part of a promotional tour, and they are back in Hyderabad. The team conducted a Thanksgiving meet.

In the Thanksgiving meet, both producer Ravi and Hero Ram directly said that only because of the November release, the movie did not perform well at the box office, and he also mentioned that as Balakrishna’s Akhanda 2 is set for a release within one week, it impacted the collections.

Is Andhra King Taluka Team Blaming the Release Date Justified?

But the question is, everyone knows November is a poor time for releases, and a month-end, Thursday release definitely hurts collections. The Andhra King Taluka’s makers announced their release date while Prabhas’s The Raja Saab was already scheduled for December 5th.

Everyone knows that if “The Raja Saab” had been postponed, “Akhanda 2” would likely have taken that slot. Therefore, the “AKT” team was aware of these conditions before the release, yet they still took the risk. Now, blaming the season is definitely not an acceptable excuse.

They chose the worst possible release date, but blaming that alone isn’t a good approach now. They should have considered all these factors before announcing the release date.

Big Allegations On Sudigali Sudheer

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Sudigali Sudheer–Divya Bharathi’s film GOAT has been surrounded by controversies from the start. Though the film began production a long time ago, it halted midway due to various issues, resumed, and was finally completed. However, director Naresh Kuppili’s repeated controversies created major differences between him and the producers. 

Recently, Naresh posted negative comments about heroine Divya Bharathi on social media, prompting her to respond strongly, which in turn escalated the issue.

Because Sudigali Sudheer is known to be close to the director, he reportedly showed little interest in the project, and he was even absent during today’s teaser launch of GOAT. The event was held without the hero. When asked about Sudheer’s absence, the producer made some sensational comments about both Sudheer and the director.

Sudheer is a responsible person, says GOAT Movie Producer

During the teaser launch event, the producer said, “Sudheer is a very responsible person. He rose from the bottom and worked hard to get here. Believing in his good nature, we invested a big budget in this film. The issue is currently with the Producers’ Chamber, so I won’t speak much until it is resolved. Since Sudheer has a personal bond with the director and his team, he has to make the right decisions. The director leaked scenes from the film, which is completely unacceptable. We filed a police complaint about this.”

He further added, “This affects Sudheer’s life as well as the movie team. It was wrong to speak inappropriately about the heroine. This director had two films stalled earlier as well. Talking about him is pointless. The shoot came to a halt midway. I told Sudheer twice, and both times he convinced everyone and restarted the shoot. He even increased the budget, yet the director did not support him. Sudheer knows what they are like and he will understand everything very soon.”

A few days ago, director Naresh Kuppili posted an offensive comment about Divya Bharathi on social media, angering her. Since she mentioned Sudheer in her response, the controversy grew even bigger.

Divya Bharathi about Sudigali Sudheer

Speaking at the event about her issues with the director and Sudheer, Divya Bharathi said, “We cannot beg for respect at work. People are different, so I silently completed my part in the film. One day, during the shoot, the director said in front of everyone, ‘We thought we would show this girl beautifully, but she isn’t that beautiful.’ That may be his opinion, but how can he say such things publicly? He and his assistants would make comments about me and laugh. I lost my confidence.”

She continued, “Then on social media, they called me ‘chilaka’, a parrot, and mocked me. I have self-respect, too, so I responded. I never expected it to gain so much attention. To irritate me further, Sudheer asked another director to offer me an item song in his next film. There is nothing wrong with offering a song, but doing so amidst a conflict without discussing the issue and deliberately targeting me is wrong. Speaking badly on social media is wrong. 

Sudheer also worked on this film; this is his film. When his friend tweeted such things, and he didn’t respond, I mentioned Sudheer as well, not because I expected any help from him. I have no personal issues with either the director or Sudheer.”

Lenin: Two Unlucky Leads Aim for a Career-Defining Blockbuster

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Akhil, who was expected to be the next star hero in Tollywood before his debut, sees continuous failures. On the other hand, Bhagyashri Borse has looks, grace, and acting talent, but she did not have one hit in her four movies. Now, Akhil and Bhagyashri are both working on Lenin, and the two need a career-defining blockbuster at any cost.

Till now, Akhil Akkineni had only one decent success, Most Eligible Bachelor, and immediately saw the biggest disaster, Agent. His next film, Lenin, gears up for a 2026 summer release.

As said above, actress Bhagyashri Borse is also awaiting box-office success, and she joined with Akhil for Lenin as a replacement for Sree Leela, who was the first choice for the film but had left due to some dates issues.

This film’s success is needed for both lead actors to get back on the right track.

Ravi Teja Not Doing a Film With Six Actresses

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Ravi Teja is already facing a lot of criticism for not doing age-appropriate roles and still romancing young actresses. In such a situation, earlier news spread like wildfire on the internet that Raviteja’s next film features 6 actresses. 

With this news going viral, netizens attacked the Mass Maharaja without even knowing the facts and made many comments about him. But the Raviteja team has officially denied the news, stating there is no truth to it and urging everyone not to spread rumors.

If the audience does not like a movie or a particular scene or a character’s behavior, they can troll or comment about it. But nowadays, on social media, everyone is jumping to judge the actors, and especially Ravi Teja is getting a lot of criticism, as his movie’s content is failing to get noticed, and only songs or romance with heroines are hogging the limelight.

Raviteja is now in such a situation that he must deliver a blockbuster success. His next film, BMW, is releasing for Sankranthi 2026.

Drishyam 3 Completes Shoot: Summer 2026 Set for Records

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Mohanlal and Jeethu Joseph have joined hands for Drishyam 3, the much-awaited third part in the beloved franchise, and the latest news is that the team has completed the shoot as well. The film is all set to smash records in Summer 2026. 

Even though it is the biggest franchise film from Mollywood, there were no extra shooting days and no massive budget. As said above, the Drishyam 3 team completed the shoot quickly, just like their other films, which is nothing less than a fantastic achievement.

The film is slated for a Summer 2026 release. Naturally, it will do the biggest business ever for a Malayalam film.

Next up, Jeethu Joseph is likely to direct the Telugu version of the film with Venkatesh, and it needs to be seen whether both versions will have a simultaneous release or the Malayalam version will release first.

Akhanda 2 Premieres Ticket 600

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The Government of Andhra Pradesh has officially approved the ticket prices for Balakrishna and Boyapati Sreenu’s Akhanda 2: Thandavam. The film is all set for a grand worldwide theatrical release on December 5, 2025.

As per the government order, all theatres across the state are permitted to screen one benefit show on December 4, 2025, between 8:00 PM and 10:00 PM, with ticket prices capped at ₹600 (inclusive of GST). 

Additionally, for the first ten days following the film’s release, from December 5 to December 14, regular ticket rates will see an enhancement: ₹75 extra per ticket in single screens and ₹100 extra per ticket in multiplexes, and the standard admission rates will be applied from 15th December.

Akhanda 2 Andhra Pradesh Ticket Prices

  • Premieres : 4th Night – 600 all theatres
  • Single Screens for 10 days : 222
  • Multiplexes for 10 days: 277

These ticket prices will surely make the producers of Akhanda 2 Thandavam very happy, and the fans also want their favorite hero’s blockbuster sequel to get massive box office collections. 

The team has applied a 600 Rs ticket for premieres in Telangana as well, while for the regular shows, there is mostly no hike, as the GO price for multiplexes is already 295.

MP Niranjan Reddy Warns of Single-Screen Cinema Collapse

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The debate over cinema ticket prices in the Telugu states has been ongoing for several years. Recently, MP S. Niranjan Reddy raised the issue in the Rajya Sabha, warning that single-screen theatres may collapse in the near future.

On the floor of Parliament, Niranjan Reddy described the situation of Single-Screens as an “unprecedented crisis” and stressed that the decline of single-screens must be addressed at the national level.

  • 1990: Around 25,000 single-screen theatres in India
  • 2025: Only about 6,000 remain

In Telangana alone, nearly 450 single-screen theatres have shut down, reflecting the seriousness of the problem.

The Reasons for the Shutdown of Single Screens

  1. Drop in Audience Footfalls – Fewer people are visiting theatres, making operations unsustainable.
  2. Multiplex Expansion – Premium facilities in multiplexes attract audiences away from single screens.
  3. High Ticket Prices – Rising costs discourage middle- and lower-income viewers, the main audience for single screens.
  4. Production & Distribution Costs – Smaller theatres struggle to afford film rights.
  5. Shift to OTT Platforms – Post-pandemic habits have changed, with many preferring streaming over theatres.
  6. 18% GST on Tickets – Heavy taxation burdens both theatre owners and audiences.
  7. Expensive Food & Beverages – Overpriced snacks and drinks in cinema complexes further discourage visits.

Social media debates and public discussions alone cannot solve this issue. Real change can only happen if film industry leaders and exhibitors come together to find solutions. Instead of constantly hiking ticket prices and movie costs, they need to create affordable pricing models that allow audiences from all backgrounds to enjoy cinema.