Usually, when producers and makers invest in a high-budget film, they take huge risks in the hope of huge rewards. But more often than not, these movies end up failing to recover the money spent and makers face huge losses.
For these Pan-India and high-budget films, the films always release in deficits mostly. We have seen this for Bahubali-1, Sye Raa Narasimha Reddy, and Pushpa: The Rise also.
Except for Bahubali-1, all the other films have failed to give huge profits to the makers. Although Pushpa did immensely well in the North, it posted average collections in the Telugu states. Sye Raa Narasimha Reddy was shot on a budget of 270+ crores but failed to recover its money back and ended up as a flop.
But if we take a look at low-budget films, they are highly profitable for the makers. This is the reason why ace producers invest in small-scale movies so that they can use the profits for big-budget films. DJ Tillu was shot on a meager budget of 10 crores and is currently running at profits of 4+crores.
Pawan Kalyan’s recent films, Vakeel Saab and Bheemla Nayak are prime examples of this. Both the films were made on a budget of 100 crores, 150 crores including Pawan Kalyan’s remuneration and movie rights. The makers have acquired table profits for both these movies.
Mahesh Babu’s Sarileru Neekevaru is also a prime example of this. It was shot on a low budget and the returns were huge. Now Prabhas is also making a film with Maruthi on a low budget. Despite the content in the film, the makers will get ample table profits.
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